Darren Aronofsky (Fountain, Requiem for a dream) teamed up with A24 for the first time on a new film titled The whale.
The film will be an adaptation of the playwright Samuel D. Hunterthe 2012 play of the same name, with Hunter on board to write the screenplay. Brendan Fraser (The Mummy, Patrol of Fate) is attached to the star.
Discuss Film first broke news of Aronofsky’s upcoming film, and Deadline later revealed that Fraser will be playing. Here is a description of the story:
On the outskirts of Mormon Country, Idaho, a six hundred pound recluse is hiding in his apartment, devouring himself to death. Desperate to reconnect with his long-estranged daughter, he reaches out to her, only to find a viciously sharp-tongued and extremely unhappy teenager. Big-hearted and fiercely funny, The Whale tells the story of a man’s last chance to redeem himself and find beauty in the most unexpected places.
“Adapting my play to a script has been a real labor of love for me,” Hunter said in a statement. “This story is deeply personal and I am very grateful that it will have the chance to reach a wider audience. I’ve been a Darren fan since I saw Requiem for a dream when I was a freshman in college writing my first plays, and I’m so grateful that he brings his singular talent and vision to this film.
Fraser spent the late 1990s and early 2000s as one of the next great men in the film industry, only for his body to start collapsing on top of him due to injuries sustained while performing. . He also alleges that he was sexually assaulted, which led to him becoming a recluse. But over the past few years, he’s slowly re-established himself as a fascinating on-screen presence working on shows like The case, Trust, and Patrol of Fate, and scoring a role in an upcoming Steven Soderbergh film. The whale will be one of his most prominent film roles of the past ten years.
Aronofsky directed Wrestler and Black Swan in 2008 and 2010, respectively, and this film dub – both of which garnered Oscar attention for their lead cast – represents the last time he achieved anything from a commercial distance. 2014 Noah was an unconventional account of the biblical story of the ancient flood, while 2017 mother! (Who absolutely rules, by the way) was the equivalent of being thrown to the bottom of a pool of chaos as we followed Jennifer Lawrence’s character through the world’s most horrific house party. Aronofsky’s idea of making a movie about a 600-pound recluse eating himself to death would be extremely anti-commercial in Hollywood eyes, but no matter how it turns out I’m glad the director continues to make big changes. stage of his career.
Cool articles on the web: