“I didn’t really stop to consider [the pandemic], because unfortunately the news sounded alarm bells for me in so many different ways that it was almost just another version of it, ”said Pascal Variety during her October 14 cover interview on the actor. “I can’t say that I absolutely didn’t see it coming, because subconsciously I kind of hung in a way that must have been somewhat prepared. What I was not prepared for was “- his eyes widened -” six months. »
Soon Pascal will be donning his character’s signature helmet again. Executive producer and showrunner Jon Favreau said Variety that “The Mandalorian” is “on time” to start production of season 3 of the series “before the end of the year” – after Pascal wraps up the filming in Europe of the feature film “The unbearable weight of the massive talent ”with Nicolas Cage.
“We operate on the assumption that we will be able to move forward,” Favreau said. He noted that the innovative production technique pioneered for “The Mandalorian” – with video wall panels for the backdrops – places the show in a unique position within the industry.
“We’re in very small situations and we often have a lot of characters in the masks,” he said. “And we also have a lot of digital work that increases things. So we’re a show that’s probably well-equipped to be flexible depending on the protocols that emerge around restarting work. ”
These methodologies allowed “The Mandalorian” to employ the same broad sense of reach as the “Star Wars” feature films while operating within the smaller budget and footprint of a television production. The results have been nothing short of amazing. The show’s worldwide popularity – thanks in large part to instant pop culture icon Baby Yoda – has catalyzed the massive growth in Disney Plus subscribers to over 60.5 million worldwide in under ‘a year. A few weeks after the service launched last November, “The Mandalorian” became the new flagship of “Star Wars” – especially after “Star Wars: The Rise of Skywalker” concluded the Skywalker saga in nine films with the lowest earnings of Disney’s Skywalker features and outright hatred by many “Star Wars” fans.
During a call for results in February, Bob Iger, then Disney CEO, said that after the season 2 premiere of “The Mandalorian,” future seasons would include “the ability to infuse [the show] with more characters and the ability to take those characters in their own direction in terms of series. In other words, expect “The Mandalorian” to create its own “Star Wars” creative universe.
Asked about this possibility last month, Favreau was a little more cautious.
“I love the world of ‘Star Wars’ because, on the one hand, there’s a familiarity with that subgenre, but there’s also huge flexibility in how you can go and what genres you can explore in that sub-genre, ”Favreau said. “As we meet new characters and start to reach our goal, from a production standpoint with how this technology can be used, we start to explore where we might go.”
Favreau made it possible that the TV production’s faster metabolism meant that Lucasfilm could be more responsive to audience sentiment about the show. “And we could start to broaden what we do and our ambitions on the characters we want to follow,” he said.
The filmmaker also said his experience as the inaugural director of the Marvel Cinematic Universe with “Iron Man” and “Iron Man 2” informed his outlook for the future of “The Mandalorian.”
“I learned a lot from my experience at Marvel, where it was very organic, how it was going to evolve,” he said. “You pay attention to larger story arcs and characters that might come together, but also smaller stories of individual characters that might trigger. [on their own thing]. The key here is to maintain the quality and never evolve to the point of losing sight of what’s important to us and what people love about the show.
The first Disney Plus series produced by Marvel Studios, “WandaVision” starring Elizabeth Olsen and Paul Bettany, is slated for release later this year, with several more to follow in 2021, and Marvel chief Kevin Feige has said their plots are set to be released. would intermingle with the theatrical features of Marvel Studios.
Could the same thing happen with “The Mandalorian”?
“The line is fading now,” Favreau said. “Things that you would only have seen in the cinema, you see them streaming, and I think it could go the other way as well. ”
Whether that means Pascal’s tight-lipped bounty hunter could end up on a movie screen remains a tantalizing but uncertain possibility. Favreau said he was “in no rush” to push the series beyond a streaming series. “But we’re definitely open to that,” he added, “and excited to see where history takes us and to have that flexibility – because there’s no regulation now.”
“Technology always offers new opportunities to tell stories in new ways,” he added. “It’s a very exciting time to do this and I’m very grateful that we are able to work remotely, due to the nature of the technology we are dealing with. So we continue to try to move forward and stay the course, even though it has been a difficult time for everyone.
As for Pascal, the actor said he “would love” to make a “Mandalorian” movie, but he has not heard of it yet.
“I think the work is so beautiful that I would love to have it held by a big screen experience,” he said. “But it seems to work so well that I’m not sure it’s something I would like to corrupt with any change either, you know?” I mean, I certainly know the challenge can be met. It’s not like these people don’t have the experience. If anyone can do it, they can!