“Our opinions are not news”: youth voices on Covid-19 | Step

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UUnlike the government and large sections of the media, the creators of theatre the british have spent a lot of time to listen carefully to young people. Some of the theatre projects the more illuminating to emerge, alongside a heap of streamed content, live events, podcasts, and kits of the game – are digital scrapbooks. These scrapbooks include videos, poems, and essays created by children and adolescents and are among the reflections of the most funny, thoughtful and honest about the crisis of Covid-19.There are this Laws, nine years, on the blog fascinating company Fevered Sleep: “All of a sudden, my hope is dropped, then I walked across the city. “On the same Web site, Sorrel, 12 years old, described his “feelings without end” and Tom, 18, note: “My friends and I talk all the time of the sars coronavirus. But our opinions are not on the news… we are invisible. “

“All of a sudden, my hope is fallen / Then I walked across the city “… Laws, 9 years old, reads her poem for
Project lock of Fevered Sleep

Theatre Hullabaloo has collected observations of young children throughout the lock, which will ultimately be linked to make a show. Sarah Silver has led the project and, even if it is not taken by surprise by the range of emotion and insight available, it is delighted. Prompted to choose an observation preferred, Money to choose this as the hummingbird: “The germs hide in the bushes and wait like lions ready to jump on us. This is why we walk in the middle of the road. ”

The children “cut the crap”, said Silver. “There is a clarity in the thinking of children. Their thoughts and feelings are not obscured by allegiances and political alliances. They are going to call the cloud in a way we couldn’t as adults. It is the joy of working with young children. They see the world much more intelligently than we do. ”

Ned Glasier leading Company in Three – a theatre company in london for young people aged 11 to 19 years old – and used the lock to create a time capsule against the coronavirus, in which the members of the society record of the original videos on their experience with locking. Glasier is shocked by how the youth have been set aside throughout this crisis: “It is a scandal, an absolute that we have not given priority to the education or the mental well-being of young people. “In mid-may, he talked about their time capsule on Sky News. “As far as I know, these are the first voices of youth that I have views on a single information program to talk about the impact of the sars coronavirus.”

Parallel to the work of the Time Capsule, the team of the Company Three has been in regular contact with young members – chatting on the phone, sending flowers and talking with the parents. Glasier is concerned that a mental health crisis, was preparing: “I spoke yesterday with two young men and both have put their happiness in four or five [out of 10] and their anxiety is much higher. All the science says that we go to school to learn things and learn to be together. This removal is huge… this is incredibly destabilizing for young people. ”

The Time Capsule features reviews video every week of the lockout, on themes such as “life at home”, “school” or “social distancing”. These are snapshots, sincere, full of humour (” I love to make omelets – they feel like happiness! “) And keys with pointed honesty (” When this is finished, begin to teach me the things that count. “Especially,” said Glasier, the videos remind us that adolescents must be heard: “These videos are only a small bell – a notification to the world that their adolescents exist and that their life is going. ”

Within a week, the company Three, in partnership with the Wellcome Trust, collected written responses on the mental health. The events of Black Lives Matter have emerged as an important presence in the lives of young people in detention: “BLM has ran like words through a stick of rock in the responses of the children. They spoke brilliantly of what it is like to feel that the world is changing and that the court is in the course. “

Take a look at other time capsules on the coronavirus on YouTube

The excitement and the urgency around the activism is something that Tarek Iskander, the artistic director of the Battersea Arts Center, has also observed in its work with young people throughout the pandemic. “There is a sense of collective purpose around the inequality, the environment, and the inclusion of so that the young generation feels confident and has values that are very strong. There is also the anger and the frustration of not being part of the conversation as they should be; about not being able to lead the life that they can and should be able to carry out. ”

During the lockout, the work of community outreach was just as important as the generation of content for the IBC. The company has created great-looking documents for the series Culture in quarantine of the BBC, and she has also continued its program to The Agency, by asking artists to work in schools and paying for young people to come to IBC to share their experiences. It is not enough to create work with children and adolescents – Iskander wants them to be in charge: “young people need to be in our organizations, help to manage and set the agenda.”

Glasier, meanwhile, is working on a plan to ensure that the young adults will lead the conversations about our world post-corona. Company Three created a piece that could be among the first performances presented in any public space or the theatre: “We want the young people to come on stage the morning of the future, the first time it is possible to meet again in public and say what they want to happen next. ”

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